by David Bayles and Ted Orland
Bayles and Orland begin the chapter "Conceptual Worlds" with this quote: "The answers you get depend upon the questions you ask." (Thomas Kuhn)
This book guides you into DEEP questions about your art, your relationship to your art, how you are influenced by others, what blocks you, etc. You may find, as you read Art & Fear, that the questions you brought to the book are not big enough.
Bayles and Orland discuss the hardships involved in artmaking. The first chapter "The Nature of the Problem" begins: "Making art is difficult." They explore this subject in a normalizing manner: "The difficulties artmakers face are...universal and familiar..." And they talk to all artists: writers, painters, photographers, dancers...
They speak hard truths:
"...if you're comfortable with what you're doing, you've probably been there before."
"The work we make, even if unnoticed and undesired by the world, vibrates in perfect harmony to everything we put into it--or withhold from it."
And, quoting Gene Fowler at the beginning of "Part I":
They do not make artmaking sound effortless, nor do they suggest complacence, lazy artmaking, or waiting on your muse. But the book is not hard - they offer us good news. The book is not a how-to book per se - it doesn't advise you to draw this or that, work with your inner critic in such and such a way - but there are suggestions:
It is more a treatise on how to think about what you are up against (and looking for) when you work at artmaking.
Art & Fear covers what draws us to artmaking and what we often wind up tripping over - criticism (or neglect) of others, unexamined thoughts about perfection, talent, habits, competition and more. It includes a wise discussion of differences and similarities between craft and art.
Many Square-Peggers have noted being more intuitive than logical. Bayles and Orland have written a book that appeals to both ways of thinking.
In a section called "Books About Art", Bayles and Orland tell us:
At the end of the book, the authors tell us that they have not given us the answer. "Answers are reassuring, but when you're onto something really useful, it will probably take the form of a question." So, we're left with wisdom about our similarities, hope about resolving our "perils", and a wide open space full of DEEP questions about our art - and our relationship to our art. Fearlessly (or at least, frequently) reflecting on those questions will show in our art.
The best news is - Bayles and Orland tell us we've got what we need and then offer us ways to access it.